Day two in the City is also going great. It’s been such a hectic week at home, that we broke our rule and actually lounged around the hotel room this morning. We had to rest up because we have two shows to see today!
First, we saw Barbara Cook, Tom Wopat and Vanessa Williams in “Sondheim by Sondheim.” It was a thoroughly engaging and enjoyable show at the legendary Studio 54. We’ve seen countless shows in that space and all I can think about whenever we do in is that Liza, Halston, Warhol and so many others had so many decadent nights in that place. I always wonder if one of them passed out– or worse– around where our seats are…
Back to the show…
This show was really like an episode of “American Masters” on PBS. I mean that in a good way. It was a multi-media presentation with pictures and clips of Sondheim as well as Sondheim himself reminiscing and talking about his life and shows. Then you had all these wonderful performers singing his songs.
Barbara Cook is amazing. She sounds as good as she did when we o her in concert a few years ago. She is doing 8 shows a week as a very active part of the ensemble. And she is about 82 years old. For those who don’t know her, she was a big star on Broadway in the 1950’s and 1960’s. She won her first Tony Award as the original Marion in the original cast of the original production of “The Music Man.” She is a phenomenon.
Tom Wopat has come a long ways from the “Dukes of Hazzard.” He is a well established Broadway performer now. We saw him give a great performance in “A Catered Affair” a couple of seasons ago. He is a joy to see on stage.
We also had the unexpected surprise of seeing Lewis Cleale, who we say in “Sunset Boulevard” with Petula Clark a few years ago. He had stepped in for Norm Lewis.
Vanessa Williams is still so beautiful and talented. She has so many talents. She was just wonderful in this show, too. She’s come a long ways from Miss America.
That’s one of the things I love about Broadway. Scott Fitzgerald said “There are no second acts in American lives.” Broadway proves him wrong every season.
Here are some clips from the show:
We had an unexpeted treat on the way to dinner. We saw Christen Chenoweth at the stage door of “Promises,Promises.” That show is also great fun. I saw that about a month ago when I was last up here on business.
We had a great meal at Trattorria Trecolori on W 47th Street. Black linguine with seafood. I had to make reservations a week ago as it has gotten to be entirely too popular. With great Italian food at great prices, with wonderful service in Mid-town, I’m not surprised.
Well, this was just a quick note. We are off to another show and the evening on the town. More to follow….
We are in New York for one of our long weekends of theatre and fun. It has started out wonderfully.
Last night, after dinner one of our favorite little french places, “Pergola Des Artistes”, we went to see the first show of the trip, a new play, on Broadway called “Next Fall”.
I’m a little bit afraid of “highly praised” new plays on Broadway. I’ve been fooled too many times. Two examples being “Pillowman” and “The Shining City”. Both of these plays were critically praised and turned out to be derivative, poorly written and poorly directed crap. I was counting the lighting instruments in the ceiling during “Pillowman” because I was so bored. “The Shining City” was just an absolute mess. After these experiences, I usually lean more towards off-Broadway plays were I have never been disappointed.
I am happy to say “Next Fall” breaks the curse. It was a wonderful play with a lot of heart. It’s probably so good because it started off-Broadway and transferred to Broadway with it’s original cast and director.
“Next Fall” tells the story of a relationship between two gay men, “Luke” a born again Christian, and “Adam” a questioning agnostic, and their family and friends. An accident sets in motion a series of scenes from their past as they try to handle the present situation. It explores how so many people of different faiths and beliefs come together and interact. It is a play about the many levels and types of beliefs. The play is so beautifully written that it draws you in and two and a half hours fly by. It engages you on so many levels-among them emotional, intellectual and spiritual. I won’t tell you more than that. I’ll just urge you to see it!
The show is beautifully acted and directed. I’m convinced the only reason several of the actors are not Tony Award nominees is because they are not “names”. They are simply some of the best actors I have seen on Broadway or anywhere else. The show is nominated for Best Play and Best Director and it would have my vote!
Here is a short video with the cast and director discussing the show and a link to the sh0w’s website:
I love New York. That’s no secret. I have been there more times than I can count and I never get tired of the City. If I ever win the lottery, the first thing I will do is purchase us a little pied a terre there. I recently did some quick math and realized I’ve seen close to, if not more than, 100 shows in New York-both on and off-Broadway. Not too bad for a little boy from Danville, Va.
I also want to point out that it is a myth that New Yorkers or rude and surly. I find them some of the warmest, nicest people I’ve ever encountered. They know, from living in the City, that we are all in this together and are usually more than willing to help out. It’s the tourists who can be rude and obnoxious.
Since everyone knows I love New York and go there frequently- and summer travel season is upon us- I’m going to make some comments and recommendations for those of you who may be traveling there soon. I’m purposely going to focus on mainstream things as I figure anyone who wants to read this isn’t as seasoned a New York traveler as I/we are. There is nothing too gay or too edgy here. I’m also focusing mainly on Mid-Town Manhattan and the Theatre District. You may also want to go back on my Blog to December and read the day by day recap of our adventures on that trip for some additional ideas.
Restaurants:
First of all, we try to do New York like a New Yorker. We do not eat at chain restaurants-in New York or any where else- or expensive designer or “hot” restaurants. We eat at good, reasonable locally owned restaurants. We are not pretentious “foodies.”
WARNING: Do not eat anywhere near Times Square! I can’t stress this enough. The goal in that area is to soak the tourists. The food is not good and is horribly over priced. If you go over to 8th, or even better, 9th Avenue, you will find much better food at much better prices at the local restaurants.
Here are some of our favorites:
La Bonne Soupe– Great French place for lunch and very affordable. On west 55th Street. (http://www.labonnesoupe.com)
Trattoria Trecolori- One of my favorite Italian places. Wonderful black linguini with seafood. We will eat there next week. 254 West 47th Street. (http://www.trattoriatrecolori.com). Reservations are a must here.
Puttanesca- Another great Italian place. Address is 859 9th Avenue at the corner of 56th. (http://puttanescanyc.com)
Angus McIndoe- I love this restaurant and it’s in the heart of the Theatre District right next to the St James Theatre. Angus used to be the Maitre d at Joe Allen’s before going out on his own. Lots of celebrities eat here and the food is great and very affordable. 258 W 44th St. (http://www.angusmcindoe.com)
Pergola Des Artistes- this is an old New York Restaurant in the Theatre District. Wonderful country French food at very affordable prices. Pre-theatre specials are great. 252 W 46th Street. (http://www.pergoladesartistes.com)
Turkish Cuisine-This is one of our all time favorites. We eat here almost every time we go to New York. 9th Avenue between 44th and 45th St. Excellent food at great prices. Another old New York Restaurant.
Patsy’s- This was Frank Sinatra’s favorite Italian Restaurant. It’s good, but not great. 236 W 56th St. (http://www.patsys.com).
Saigon- 620 Amsterdam Avenue on the Upper West Side. Great Vietnamese food at very good prices.
Cafe Espanol-In the West Village. Another real bargain with great Spanish food. 172 Bleeker St (http://cafeespanol.com)
Smith’s- This is kind of a dive on 8th Avenue at the corner of 44th St. It’s also a real deal for Breakfast or lunch if you want to get a decent meal for a really cheap price in Mid-town.
Zuni-598 9th Ave at 43rd St. Another great Mid-town place. Open late. Great New American Cuisine. (http://www.zuniny.com)
Joe Allen’s- A Theatre District tradition. I’ve seen more celebrities here than anywhere else in New York. Classic American Food. Great grilled calves liver and a great burger. 326 W 46th St. (http://joeallenrestaurant.com/NY_home.html)
The Oyster Bar- 7th Avenue at 53rd Street. Right across from the Sheraton. The food is good, not great, but it’s really an old New York Restaurant. And the prices are great.
Philip Marie- Great New American Cuisine in the West Village. 569 Hudson at 11th St. (http://philipmarie.com)
Hotels:
We don’t normally do fancy Hotels, either. Unless we are staying there for free on my Frequent Guest Points. If that’s the case, then we love the Hilton Times Square. Otherwise, here are some recommendations:
The Hotel Newton- On the Upper West side. 258 Broadway at 95th St. Subway is right outside the door and you can be in Mid-town in less than 10 minutes. This is one of our favorites. Warning: Towels are very thin and pillows can be a little too firm, but it’s a great deal. Lot’s of restaurants close by with great food at great prices. Very nice, very clean. We’ve stayed here countless times over the last 14 years. (http://www.thehotelnewton.com)
The Wellington- The best deal in Mid-town. They have lot’s of specials on their website and it’s a great old hotel. On 7th Avenue close to Carnegie Hall. Around W 55th St, I think. (http://www.wellingtonhotel.com)
The Washington Square Hotel- A lovely little hotel in the West Village. We stayed there again last Christmas, during the snow, and loved it. 103 Waverly Place. (http://www.washingtonsquarehotel.com)
Please note: It is our view that hotels should be safe, clean and comfortable. These are. They may be a little more basic than some others, but if you plan to spend a lot of time in your hotel, you should not be traveling-especially to New York. Hotels are only places to shower, change clothes and sleep. You should be out in the Streets the rest of the time.
Shows:
Some of the best theatre in New York is off-Broadway or off-off Broadway. There is not a lot running right now that I’ve seen that is really good. My advice is to avoid the long running shows. I took a colleague to see “Phantom of the Opera” when we were there on business a few years ago. It’s been running so long, the cast is sleep-walking through it. Same with “Chicago”, which I’ve seen several times. I won’t recommend “Mamma Mia” because I hated it, but most people really enjoy it- especially women.
You should never have to buy full price tickets to a show in New York unless it is a big, big hit or a limited run. My advice is to always go to Playbill.com or TheatreMania.com and use the discounts on those websites. You can purchase tickets over the web, phone or take them to the box office. You usually get the best seats available. The TKTS booths, in Times Square, has discounted tickets for shows the same day. The last few times I’ve gone there, the seats were horrible. Rear balcony, obstructed view, etc. I think the shows dump their worst seats there, so avoid them if you can.
Here are some current shows I do recommend:
“Promises, Promises”- With Kristin Chenowith and Sean Hayes. I really enjoyed this show. It is a flawed show and Ms Chenowith is miscast, but still quite good. It was a very enjoyable night at the theatre. Sean Hayes, of “Will and Grace” fame much deserves his Tony Award nomination. The show has great dancing and a lot of heart. See it. This is one I would like to see again.
“Jersey Boys”- Again, not a great show, but lots of fun. I saw the originial cast right after it opened and saw it again on tour. Great fun both times. Not sure how the current Broadway cast is holding up since it’s been running a long time since I saw it in NY. The lead in the Tour was actually better than the guy who won the Tony in New York.
“Our Town”- this is an off-Broadway play at the Barrow Street Theatre down in the Village. The theatre is right at the Christopher Street subway stop, so it’s easy to find. This is an old show that has been beautifully re-imagined. I only saw this because Steve wanted to see it and ended up loving it. Highly recommended.
“Hair”- the revival of the 1960’s hippie musical. I loved it.
“A Little Night Music”- with Angela Lansbury and Catherine Zeta Jones. This is a magical production and is only this low on the list because it closes June 20th. It’s also hard to get into and you will probably have to pay full price. Even we paid full price and we can usually find a way around that.
Some other shows to consider that have been running a while are:
“Mary Poppins”- we saw this in London and were pleasantly surprised to find we loved it. Amazing dancing and special effects.
“Billy Elliott”- again, we saw this in London, not New York and liked, but didn’t love it.
“South Pacific”- I hesitate to recommend this because it’s closing soon, will be taped for PBS, and the entire cast is different from the one we saw. It was magical when we saw it with Kelly O’Hara. You will probably never have a chance to see a production this good or this big of this show again.
We are heading up there again shortly and I will hopefully have some more current shows to recommend. Also, many of these shows have clips on YouTube if you want to check them out.
Nightspots:
Birdland- This is a great music venue in mid-town. We saw Phoebe Snow there a couple of years ago and it was fabulous. A lot of Broadway people perform there on Mondays when their shows are dark. (http://www.birdlandjazz.com)
The Metropolitan Room- This is the most affordable Cabaret spot in town. We’ve been several times and it’s always been great fun. Lot’s of Broadway and Cabaret stars perform their one person shows here. (http://www.metropolitanroom.com)
Don’t Tell Mama’s- This is located on Restaurant Row and can be fun. It’s gotten a little touristy and “bridge and tunnel”, but it can be lot’s of fun after a show. (http://www.donttellmamanyc.com/)
The Oak Room- At the Algonquin Hotel. This is a little pricy, but still affordable for Cabaret. It’s a historic spot and a taste of old New York.
Some Tourist Stuff That Is Fun:
The Metropolitan Museum- I’ve been countless times and almost always go once each trip to New York. It’s a great place to spend a hot or rainy day. The Egyptian Collection is amazing. The art is incredible. They always have interesting, temporary exhibits also. Check their website for current shows.
Ellis Island and the Statue of Liberty: I’ve gone to Ellis Island 3 or 4 times. You go to Battery Park and buy a ticket for the boats to take you there and the Statue of Liberty. There is not much to see at the Statue of Liberty. I was really bored there. But Ellis Island is wonderful. But then, I was a history major. It’s also great just to ride around New York Harbor on the boat.
Macy’s Herald Square- Not as much fun as it used to be, but you have to do it at least once. If you go to Visitor’s Office, they will give you a special discount for an extra 15% off on all your purchases if you show them an out of town driver’s license. I’ve done that several times.
Walk down 5th Avenue.
Visit Rockefeller Center and Saint Patrick’s Cathedral.
Eat a hot dog from a street vendor.
Take the Subway. We always do. It’s very safe and the fastest, cheapest way to get around the City. It will save you a fortune on cabs. It is also very safe, simple and people are always willing to help you out if you have questions. Warning: In the summer it is very hot and smelly.
The Jewish Museum- On Fifth Avenue north of the Met. We always love going there and seeing their changing exhibits.
The Guggenheim Museum- one of the world’s great modern art collections and an architecturally stunning building. Right above the Met. You can do the Met, the Jewish Museum and the Guggenheim in one day if you just want a taste…
Ground Zero- it’s mainly a construction site now, but everyone should go at least once to pay one’s respects.
I’m sure I’ve forgotten some stuff, so I will probably revise this as I go along. Feel free to add your comments on things I’ve missed or things you disagree with.
Most importantly: Go to New York!!! It’s a wonderful town. Explore it on your own so you can give me your recommendations.
I saw the play “The Temperamentals” off Broadway in New York last Thursday night. I’ve needed a little time to digest it before posting and commenting.
The title of the play is drawn from a time when one could not even say “gay” or “homosexual” in public. There had to be code words and phrases such as: “Is he temperamental?” ” Is she a friend of Dorothy?” or “Is he musical?” to ponder someone’s sexuality in public.
As a piece of theatre, it is a great play. It educates while entertaining. I don’t know what more you can ask. The entire cast is brilliant. It is the kind of theatre I most enjoy: It has a story, the characters develop and change, it has a heart and it has a message.
The show deals with the founding of the Mattachine Society in California in the early 1950’s. This was one of the first Gay Rights groups ever founded and the first Gay organization to stand up to the blatant persecution of Gays by the police and the Establishment.
For context, in my mind there are four key periods in Gay History:
The Mattachine Society’s founding and open challenge to the establishment with the Jennings Trial in the early 1950’s. This was the first time Gay people publicly admitted they were gay and fought back in the Courts.
The Stonewall Riots of 1969 when Gays- and Drag Queens- fought back against Police harassment at the Stonewall Bar in Greenwich Village.
The AIDS epidemic and founding of ACT UP in the 1980’s. This tragically blew open the closet door, not by choice, but also forced us to fight to be treated, legally and medically, like everyone else. We would never be invisible again.
The success of “Will and Grace” that mainstreamed Gay Men as the sexless pet’s of straight women, but made them socially visible for the first time to mass culture. Unfortunately, this also led to “Queer Eye for the Straight Guy” and the infliction of Carson Kressley on America.
“The Temperamentals”, as a play, is important on many levels. First of all, it delivers a history lesson with compelling characters. One of my chief concerns for both Gay people and African-Americans is that we/they are forgetting our history and how far we have had to climb. Fifty years ago, Black people in the South could be murdered for “sassing” a white person and Gay people could be arrested for just touching the shoulder of another person of the same gender. This is so foreign to the younger generations. They forget and can’t seem to comprehend this.
Secondly, “The Temperamentals” is just plain good theatre: A well written and performed play. Unfortunately, that is becoming increasingly rare also.
People now forget how scary it once was to realize you were Gay and what that meant to your life. The choices the characters in “The Temperamentals” make vividly illustrate this challenge. People forget most Gay people once had to make the choice to either marry and “pass” for straight and/or live their lives in the shadows. They had to give up any chance at a career and financial success if they wanted to be true to themselves and, thus, didn’t fit the societal norms of the era. For some, this is still the case– look at Alabama, Mississippi and even in some small towns in North Carolina and Virginia.
This theme in the play resonated with me. I am old enough to remember when one had to make this choice. This is a choice I had to make. Thankfully, I live in an era and in a city and work for a Company that made the choice so easy. I live in a very accepting bubble. One of the main reasons I consider Danville, VA, my home town, a horrible little town is that it was made very clear to me that I could not be out and successful there. There was and is not a place for me there. And I’m very okay with that. But, people still have to make this choice and not everyone has the options I had. We forget this…and thank God I had the ability to choose to leave and build a life in a freer climate that my predecessors made possible.
I live the happy, fulfilling life I do because I stand on the shoulders of the brave Gay men and women who preceded me. Thanks to “The Temperamentals” and the Mattachine Society fighting back for the first time in the 1950’s and to the other milestones noted above, it is now relatively easy for me to be a happy, out Gay man in Greensboro, NC.
We, as Gay people, still don’t have an easy ride. Legally, we can still be fired just for being Gay. We can be denied housing just for being Gay. We can’t serve openly in the Military if we admit we are Gay. Our relationships are not legally recognized. We don’t have legal hospital visitation or inheritance rights–without lots of expensive legal documentation. We are demonized and used politically by the Religious Right just for asking for equal– not special– rights.
But we have come so far from the days of the “The Temperamentals.” We have to be thankful for this…
We just have to help our friends remember where we came from…And that we still have a long way yet to go…
A longer Blogpost will follow, but here are some scenes from the show I saw night before last in New York: “Promises, Promises” with Kristin Chenoweth, lately April Rhodes from “Glee”, and Sean Hayes, formerly of “Will and Grace”. It was really a fun night at the theatre:
Dixie Carter, best known for her role as Julia Sugarbaker on “Designing Women”, died yesterday. Her passing made me sad for many reasons.
I have long struggled with my Southern Heritage–how to keep the good and throw out the bad. Her portrayal of Julia really helped me with that journey.
All the ugliness coming out of Virginia this week, where the Governor failed to recognize the importance of Slavery as part of “Confederate History Month”, made me address that struggle again. Dixie Carter and “Designing Women” helped put this in perspective and I thought of them more than once.
We all need to let go of the myth of the Old South. God knows I have and so had Julia Sugarbaker. Dixie Carter’s Julia knew we needed to keep the good, but recognize and address the bad.
All Southerners need to face the fact that Slavery was the cause of the Civil War. I can’t believe I still have to say this 150 years after that horrible war. States’ Rights and the other catch phrases were merely propaganda terms used to entice the poor Southerners to fight to protect the socio-economic needs of the few rich Southerners. A myth of the Old South grew from this that some of us are still trying to dispel 150 years later. The war wasn’t about States’ Rights. It was about one group of people owning another group of people and making their life hell for their own benefit. Let’s finally put that to rest.
However, I never wanted to throw out the baby with the bath water. There are certain Southern characteristics we need to keep. Our justifiable reputation for hospitality and casual elegance. Our concern for our family, friends and neighbors. Our appreciation of honesty and a sense of personal honor. We need to keep these parts of our heritage–whether we are black or white. Or Hispanic. Or Asian. There are many kinds of Southerners now.
We do need to lose our traditions that held down and held back women. Julia Sugarbaker and Dixie Carter knew this. There was no Southern Belle Simple for these women. No pretending to be dumber than they were. They were educated, forthright and honest. They were straight shooters, not manipulative Southern Belles. They were Southern Women– not girls–as my friend Robin made me aware last week. Dixie Carter put Scarlette O’Hara, or more precisely her sister Suellen, in her place– as part of historical fiction, not modern fact.
Dixie Carter’s Julia Sugarbaker gave a new face to the Southern woman. And it was one face, not two.
Steve and I had the privilege to meet Ms. Carter briefly once. In person, she was exactly what you would expect. She was beautiful, smart, gracious and classy. She was a modern Southern Lady.
I’ve been privileged to know a few other women like her of her generation. My friend Shakey’s mom, Betty, welcomed a house full of W&L boys- and we were boys then, not men- into her home for every dance weekend at Sweet Briar. I can’t imagine how different my college life might have been had I not known this Great Lady. She made us welcome, fed us-both food and bourbon- and entertained us in the most gracious manner imaginable. I’ll never forget visiting her in college right after she had cancer surgery. She received us with a grace and sense of humor that only a Southern Lady could have after such an ordeal. My friend Deane’s mother, Nancy, always welcomed us into her home in Danville and we spent many entertaining evenings in her company. These women always seemed, at least, to be thrilled to see us and made us comfortable, amused and enchanted by their company.
Dixie Carter’s Julia Sugarbaker made these women visable to the rest of the country. She demystified the South and showed us how Southern Women really were and should be seen. She knew we needed to keep the Magnolias, but lose a little of the Moonlight. She showed how great these women could be in the light of day- when the Klan didn’t march, lynchings didn’t happen and lesser women weren’t focused on manipulating their men.
Dixie Carter will be missed. The world is a sadder, less elegant place without her. Just as it would be without the women she personified and publicized.
Thankfully, I see the Southern Women-by birth and by choice- of my generation carrying on her example.
“The Temperamentals”: My Personal Thoughts on the Play and the Gay Journey
I saw the play “The Temperamentals” off Broadway in New York last Thursday night. I’ve needed a little time to digest it before posting and commenting.
The title of the play is drawn from a time when one could not even say “gay” or “homosexual” in public. There had to be code words and phrases such as: “Is he temperamental?” ” Is she a friend of Dorothy?” or “Is he musical?” to ponder someone’s sexuality in public.
As a piece of theatre, it is a great play. It educates while entertaining. I don’t know what more you can ask. The entire cast is brilliant. It is the kind of theatre I most enjoy: It has a story, the characters develop and change, it has a heart and it has a message.
The show deals with the founding of the Mattachine Society in California in the early 1950’s. This was one of the first Gay Rights groups ever founded and the first Gay organization to stand up to the blatant persecution of Gays by the police and the Establishment.
For context, in my mind there are four key periods in Gay History:
“The Temperamentals”, as a play, is important on many levels. First of all, it delivers a history lesson with compelling characters. One of my chief concerns for both Gay people and African-Americans is that we/they are forgetting our history and how far we have had to climb. Fifty years ago, Black people in the South could be murdered for “sassing” a white person and Gay people could be arrested for just touching the shoulder of another person of the same gender. This is so foreign to the younger generations. They forget and can’t seem to comprehend this.
Secondly, “The Temperamentals” is just plain good theatre: A well written and performed play. Unfortunately, that is becoming increasingly rare also.
People now forget how scary it once was to realize you were Gay and what that meant to your life. The choices the characters in “The Temperamentals” make vividly illustrate this challenge. People forget most Gay people once had to make the choice to either marry and “pass” for straight and/or live their lives in the shadows. They had to give up any chance at a career and financial success if they wanted to be true to themselves and, thus, didn’t fit the societal norms of the era. For some, this is still the case– look at Alabama, Mississippi and even in some small towns in North Carolina and Virginia.
This theme in the play resonated with me. I am old enough to remember when one had to make this choice. This is a choice I had to make. Thankfully, I live in an era and in a city and work for a Company that made the choice so easy. I live in a very accepting bubble. One of the main reasons I consider Danville, VA, my home town, a horrible little town is that it was made very clear to me that I could not be out and successful there. There was and is not a place for me there. And I’m very okay with that. But, people still have to make this choice and not everyone has the options I had. We forget this…and thank God I had the ability to choose to leave and build a life in a freer climate that my predecessors made possible.
I live the happy, fulfilling life I do because I stand on the shoulders of the brave Gay men and women who preceded me. Thanks to “The Temperamentals” and the Mattachine Society fighting back for the first time in the 1950’s and to the other milestones noted above, it is now relatively easy for me to be a happy, out Gay man in Greensboro, NC.
We, as Gay people, still don’t have an easy ride. Legally, we can still be fired just for being Gay. We can be denied housing just for being Gay. We can’t serve openly in the Military if we admit we are Gay. Our relationships are not legally recognized. We don’t have legal hospital visitation or inheritance rights–without lots of expensive legal documentation. We are demonized and used politically by the Religious Right just for asking for equal– not special– rights.
But we have come so far from the days of the “The Temperamentals.” We have to be thankful for this…
We just have to help our friends remember where we came from…And that we still have a long way yet to go…
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Filed under My Journey, Social Commentary
Tagged as broadway, gay, new york, theatre