Tag Archives: theatre

Oprah on Broadway

Somehow, I just can’t see the Big O doing 8 shows a week….

I’ll wish her well and give her credit for trying….

She will surely pack the houses….

And anything that brings attention to live theatre is a good thing….

Oprah Winfrey has long said she would love to return to acting. But as her iconic, Chicago-based talk show approaches its final episode, Winfrey clearly is moving quickly to turn her dream of appearing on Broadway into reality.

“I have a stack of plays in my bag right now that I am reading,” Winfrey said with great enthusiasm and determination last week as part of a frank and wide-ranging interview on her Chicago past and professional future that will appear May 22 in a special section of the Tribune. “And just this past weekend, I was in New York meeting with producers. We were just talking about what would be the best route to take. But yes, this is really going to happen. … Life is too short.

“I think,” Winfrey said, “that an ensemble production is the way I should go.”

Winfrey was very nearly already acting on Broadway. Kenny Leon, the director of the high-profile Broadway revivals of “Fences” and “A Raisin in the Sun,” came to Winfrey about two years ago and said he wanted her to appear in “Fences.” Talks, Winfrey said, progressed to a advanced and serious stage.

“I had always wanted to do “Fences,” Winfrey said. “I went through the idea of trying to take my show to New York, shoot a show during the daytime and appear on Broadway at night. But I couldn’t do it. And finally, Kenny said he couldn’t wait any longer.”

So that didn’t work out. But once “The Oprah Winfrey Show” has wrapped, Winfrey will have a lot more freedom.

via Oprah’s Broadway acting dream is on the express track – The Theater Loop.

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Arthur Laurents, Legendary Librettist, Playwright, Screenwriter and Director, Dies at 93 – Playbill.com

One of the giants of the American Musical Theatre has passed…

Rest well, Arthur Laurents.  You’ve left us some great gifts…

I’ll even forgive you for allowing Patti Lupone’s Mama Rose in “Gypsy”, since you created that amazing character for so many other incredible performers.

Arthur Laurents, the irascible, enduring Man of the Theatre who wrote plays and screenplays and enjoyed a significant career as a director — but who made his lasting mark as the librettist to two landmark musicals, West Side Story and Gypsy — died May 5 at his Manhattan home after a short illness, his agent Jonathan Lomma confirmed. He was 93 years old, and died peacefully in his sleep.

via Arthur Laurents, Legendary Librettist, Playwright, Screenwriter and Director, Dies at 93 – Playbill.com.

And he directed the original La Cage Aux Folles on Broadway:

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Happy Birthday, Patsy Stone!

I mean Joanna Lumley, the incredibly talented actress who played Patsy in “Absolutely Fabulous”, one of my favorite TV shows…

Even though, in those years Pats and Eddie hit a little close to home on occasion….

Joanna Lumley really is more than Patsy Stone.  She’s an incredibly talented British stage and film actress.

But she will forever be known to many as “Pats”.

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“Steel Magnolias” at Triad Stage

I just came in from seeing “Steel Magnolias” at Triad Stage here in Greensboro.  And it was good.

I know Triad Stage and other Regional Theatres need to do crowd pleasers like “Steel Magnolias”.  They bring in a large audience, that will hopefully come back again for other shows and help to build an audience for live theatre.  Shows like this also bring in a lot of cash.  But they also create an interesting experience for Season Ticket holders, like me, who would not have gone to see “Steel Magnolias”  if it were not part of the Season.  It gives us the chance revisit plays from our pasts. And sometimes these new visits surprise us.

As usual, at Triad Stage, the production values were wonderful and the acting was excellent- all that we expect from Triad Stage.

The problem, for me,  was the play.

I’ve probably seen “Steel Magnolias” too many times, both on stage and film, but it has been several years since I’ve seen it.  I’ve probably also heard the lines too many times, but in this production, there did seem to be some laugh lines that were missed.

And you know what?  It just wasn’t as good a play as I remembered from seeing it  years ago.

Don’t get me wrong, there is a lot of heart in this show, some memorable characters and some funny lines.  You can’t help but be drawn into the lives of and care about these upper middle class Louisiana women.  But don’t look too closely at the play itself.  The first scene, in particular, goes on way too long…

I was also surprised at how rooted “Steel Magnolias” was in the 1980’s and how dated it seemed now.  Times have changed so much more than I realized since the times in which this play was set.   I’m not sure the cultural references make sense to anyone under 40, but then that’s not “Steel Magnolias” audience.

And it was almost a full house on Easter Sunday.

If you love “Steel Magnolias”, go see this production.  Especially if you’ve never seen it on stage and only know it from the movie.  You won’t see a better production with so many fine actresses around here any time soon.  It’s definitely a pleasant evening in the theatre and it received a standing ovation at the end of tonight’s show.

Just don’t be too surprised, either,  if the magic just isn’t there.  It’s not that they don’t try and succeed, on so many levels, at Triad Stage.  It’s just that the play itself isn’t as good as I remembered it being all those years ago…

And that might be the adjustment that I’m struggling with…

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The Problem With Gay Men Today : Salon.com Talks to Larry Kramer

Very interesting interview with Larry Kramer about the differences between the generations of Gay Men….

Hard as it is to believe, this generation really grew up in a different, safer, more accepting  time …

Those of us who are older had a very different experience- and they have no idea what it was like during the AIDS Crisis or growing up when it was still, as Lord Alfred Douglas said, “The love that dare not speak its name”.

And Gay Men, like most Americans, don’t really care about or want to know their history….

Larry Kramer’s ground breaking play from the outbreak of the AIDS crisis opens on Broadway this week….

From Salon.com interview with Thomas Rogers:

Rogers:  I saw a preview of the play last night with a friend. I think many of the ideas in the play will seem exotic and a little dated to a lot of young gay men.

Kramer:  Like what?

Rogers:  Like the idea of promiscuity as a political statement and that it would be treasonous or controversial for gay men to tell other gay men not to have sex, or to have sex with a condom. What do you think young people should take away from the play?

Kramer:  It’s our history. We’re gay. This was part of our history. This was the most horrible thing the gay population ever lived through. And yet it also represented — later on, with ACT UP, and the getting of AIDS drugs — the most spectacular achievement the gay population ever had. We gays did that.

I don’t know why so many gay men don’t want to know their history. I don’t know why they turned their back on the older generation as if they don’t want to have anything to do with them. I would like us to get beyond that.

Rogers:  But do you really think that lack of interest in history is particular to this generation?

Kramer:  You tell me.

Rogers:  Well, I’m 27, and I know that my formative images of gay life had nothing to do with AIDS. Ellen came out of the closet when I was in junior high and “Will & Grace” made gayness seem like a consumer identity more than anything else. Gayness wasn’t really linked with sickness is my mind, and so those early AIDS battles, I think, seem very alien to a lot of young people’s experiences.

Kramer:  I don’t know. I could understand what you’re saying. Sometimes when I go to schools, kids say that they’re taught to be non-confrontational or non-participatory now, almost like it’s not cool to have opinions and express them, which is sad. I hope we’re coming out of all that.

MORE:   The problem with gay men today – Interviews – Salon.com.

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Happy Birthday, Patti Lupone

Broadway’s original Evita is 62 today….

Here are a couple of clips of her at her best….

Here she is in her first Tony Award winning performance in “Evita 32 years ago…

I won’t post her second Tony Award winning performance as Moma Rose in “Gypsy” because I just hated her performance….

She was on a total ego trip in that show….It was over the top and out of control.

But I have also seen her in concert and found her  quite charming…

But here is a taste of her in better form today…

Say what you will, the woman sure knows how to own the stage….

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Happy Birthday, Tim Curry. “The Rocky Horror Picture Show’s” Sweet Transvestite from Transylvania is 65

So many stars I grew up with seem to be ready for Social Security.

I must have been an infant when I saw this for the first time…

It was quite mind-blowing to see this in ultra conservative Danville, Virginia in the late 1970’s.

I’ll never forget one of my friends mother’s helping him with his panty hose before we went to see it.

He has two children now…

And another musical moment that’s a little more mainstream….

From “Annie” in 1982 with Carol Burnett and Bernadette Peters.

That really should have been a better movie….

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Happy Birthday: Hayley Mills is 65 Today

Ah, yes….

Another childhood star is ready to collect Social Security.

Hayley Mills made a lot of films in the 1960’s for Disney and other Studios….

Two of my favorites were the original “The Parent Trap” and “The Trouble with Angels”.

She still works today- she had a very successful tour as Anna in “The King and I” a few years ago…

I hope another certain young, actress who was in the remake of “The Parent Trap” gets her act together and becomes professional enough to enjoy a career as long and enjoyable as the original “Parent Trap” Star…

But there is only one Hayley Mills….

Scene from “The Parent Trap”:

And from “The Trouble with Angels”:

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Why are British and American Theatre Audiences So Different?

Great article from Christopher Shinn, a playwright who’s work I much admire, in The Guardian.  I’ve been lucky enough to see a couple of his plays in New York…

I’ve seen a fair amount of theatre in London and a lot of theatre in New York….

There are definitely differences in both the audiences and how work is presented…

Generalisations all, but perhaps with a grain of truth. Maybe, too, American actors and directors know that their theatregoers are impatient. They sense a reluctance to give themselves over to someone else’s self-expression – whereas in London, the greater ease at being a part of a group means the actors and director assume a generous audience, not an always-potentially-dissatisfied one.

via Why are British and American theatre audiences so different? | Christopher Shinn | Stage | guardian.co.uk.

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“Ragtime” On Broadway

Every time I read about the “Spiderman” fiasco, I think of another show I saw at the same theatre on Broadway.  It was the antithesis of “Spiderman”.

It was “Ragtime”.

It was a big show with a lot of heart and a lot of talent-both on and off stage.

The opening number was one of the best I’ve ever seen in any show…

The cast was amazing:  Brian Stokes Mitchell, Marin Mazzie, Audra McDonald and very young, pre-Glee Lea Michelle playing the little emigrant girl.  And many more Broadway names…

It was truly a big show and it filled that huge theatre…

And it was damn good.  If the company producing it, Livenet, had not gone bankrupt for totally unrelated reasons, I think it could have run for years…

Here is the opening number:

And Brian Stokes Mitchell and Audra McDonald’s big number:

And here is a compilation of clips from the PBS Special.  I wish there was a full clip of Marin Mazzie singing “Back to Before.”  She was riveting….

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